They are reduced lithographic versions of the "original" posters created by the contemporary masters, Picasso, Chagall, Braque, Matisse, Miró, Leger, and Dufy. He painted his most famous work, Guernica (1937), in response to the Spanish Civil War the totemic grisaille canvas remains a definitive work of anti-war art. In 1959 they printed the series "Affiches Originales" for collectors. The first volume was published in 1972, with a preface by Michel Leiris and containing also twelve superb original compositions." Fernand Mourlotĭuring the 1950s the renowned French printer, Fernand Mourlot, printed most of the "original" posters of the most important artists of the day. Towards the end of the sixties I proposed, as I had for Picasso, Chagall andBraque, that we compile a complete lithographic catalogue he accepted and took direct part in the project. For every exhibition he held at the gallery Maeght, he designed a poster, and further collaborated on the review Derrière le Miroir, for which he created some exceptional solo editions. Keenly interested in the process, he wenton to produce several lithographs, in black, on stone, the magnificent Album 13series (1948) and several illustrative works for the books of his poet friendssuch as André Breton, Benjamin Péret, René Char, Tristan Tzara, Iliazd and André Verdet. Miró was of a taciturn nature Célestin would guess what it was he wanted, only a few words were necessary, Miró expressing briefly his idea, Célestin voicing his assent. The understanding that they shared from the start made for some excellent work. Widely considered one of the leading Surrealists (though he was never officially part of the group), Joan Mir was also a pioneer of automatism: a method of. Exhibition of 51 paintings from 1969 to 1978. Text by Marcellin Pleynet 'Miro and modern cultures'. Reproductions of the works exhibited on 4 pages. I assigned one of our best press operators to Miró: Jean Célestin, who would become a close friend of the painter. Gr.4° (28x38cm) - 28 pp - 2 Original lithographs in color (double page) 8 color reproductions 6 reproduction in B/w. After the War, Miró returned to Paris, and it was here that he would truly discover lithography. Bound by Maeght in dark blue cloth-over-boards with debossed white lettering in 1956, it collects the complete contents of DLM numbers 14-15. The magazine was devoted exclusively to artists who exhibit at the Galerie Maeght either solo exhibitions, group exhibitions either.įront and back cover by Joan Miro, printed 1956. This is a compilation of four issues of Maeghts legendary periodical 'Derriere Le Miroir' (featuring the great artists and writers of the 20th Century) devoted solely to Joan Miro. 1) by the art dealer Aimé Maeght and was published continuously until 1982 and published articles and illustrations (often original color lithographs by artists) who ensured the reputation of the gallery. The magazine "Derrière Le Miroir" (Behind the Mirror) was launched in October 1946 (No.
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